Do YOU Want to Write for Children?


The National Writing for Children's Center is the home of the Children's Writers' Coaching Club (CWCC), and a growing resource for children's writers, aspiring children's writers, parents,elementary school teachers, and librarians.

Join the Children's Writers' Coaching Club HERE and learn all you need to know to become a published children's writer yourself!

--------------------------------------------------------
Oct 31

Are You Interested in Virtual Book Tours?

If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!


Day’s End LullabyToday, Karen Cioffi was the guest on Book Bites for Kids. She talked about her new book, Day’s End Lullaby. Listen to the recorded show by clicking on the blogtalkradio player in the right sidebar of this page.

Karen also gave information for a new group she started for anyone interested in virtual book tours. To join the group, go HERE.

Oct 29

SIMON SAYS - More Book Signing Tips

SIMON SAYS

A weekly column from children’s author Simon Rose
Simon Rose

Although your primary mission is to sell and promote both your books and yourself, it’s a good idea to know a little bit about distribution as well, even though this is normally something your publisher deals with on your behalf.

It is possible to show up at a bookstore for an event and discover that your books are nowhere to be seen. The bookstore certainly could have forgot to order them, but it could also be an error from your publisher or simply a case of miscommunication. It’s really not worth getting angry about and it is never a deliberate slight against you as an author, although it doesn’t help if you have no books on display. However, it’s always good to have a back up plan.

I always take copies of my own stock for book signings, even if I leave them in the car. This is just in case there are no books at the store, but the extra stock also serves as a reserve if the event is a tremendous success and you actually sell out of one or more of your titles. If this happens, you can often come to some arrangement with the store manager about selling the books to the store on consignment or something similar. As a result, I always determine in advance that there are no problems ordering the books.

On several occasions, the stores have been informed me that there are no copies of a certain book, when I know there is a good supply available to order. Or the distributor claims they never received an order, while the store then tells you they actually forgot to send a fax or an e-mail. There are a number of different scenarios, but it’s wise to be aware of any possible problems in advance.

Stay on top of things to make sure your event goes well and of course ensure that the store has books for you to sign, sell and promote.

Oct 27

Hurty Feelings by Helen Lester

Reviewed by Carma Dutra, Picture Book Reviewer for the National Writing for Children Center

Hurty Feelings

Title: Hurty Feelings

Author: Helen Lester

Illustrator: Lynn Munsinger

Reading level: Ages 4-8

Hardback: 32 pages

Publisher: Houghton Mifflin/Walter Lorraine Books; 1 edition (March 26, 2007)

ISBN-10: 0618840621

ISBN-13: 978-0618840625

An emotionally fragile hippo named Fragility and a rude elephant named Rudy will delight children from ages four to eight. Fragility is over sensitive and Rudy is overly rude. Author Helen Lester begins her humorous tale with Fragility was a solid piece of work. When she walked her world wobbled.

Fragility is very happy in her own world, she has strong jaws that could munch grass faster than any lawn mower, she never cries when she stubs one of her toes or all sixteen. However, something did bother Fragility and it was injured feelings. When her friends would give her a compliment like “Fragility, you have such cute little ears,” she would wail, “You hurt my feeeeelings! Cute little ears? Do you know what else has cute little ears? People have cute little ears. So you think I resemble a people?” Flop. Weep.

Fragility’s drama-queen flopping and weeping became a regular routine until she became lonely. No one could talk to Fragility without making her cry. One day Rudy, the neighborhood bully, tries to intimidate Fragility as she protects the goal in the soccer match. “Step aside, Big Solid Thing!” Rudy bellowed at Fragility. “You’re blocking me lunch.”

Fragility comes through with shining colors. She learns to be strong on the inside and finds her confidence. She even teaches Rudy a thing or two by learning to like her self and accepting compliments. This is a great read-aloud book and the funny, expressive water color illustrations bring out the characters zany personalities. Children will want to read this story again and again.


About the Author:
Helen Lester is the author of sixteen children’s books. Her background with children includes being a mother of two and a former elementary school teacher of ten years. While at home with her children, Helen realized the importance of quality children’s literature. Helen started her writing career as a struggling author facing many rejections by publishing companies. Her first book was finally published in 1979.

About the Illustrator: Lynn Munsinger was born in Greenfield, Massachusetts. She attended Tufts University and graduated in 1974. The following year she enrolled at the Rhode Island School of Design, majoring in illustration.

******
Carma Dutra is a freelance writer and children’s writer. Learn more about children’s writing tips and reviews of award winning books visiting Carma’s Window. Download the free EBooks, Tips for Children’s Writers and Illustrators, and Unite to Write, a compilation of thirteen top expert authors as read on Ezine article directory.

Oct 24

An Interview with Children’s Author/Illustrator Paola Van Turennout

from Suzanne Lieurance, Host of Book Bites for Kids

One Little BugChildren’s author/illustrator Paola Van Turennout was unable to be my guest on Book Bites for Kids during the day, so I recently interviewed her via email.

Suzanne: Tell us a little bit about your background and how you because a children’s book writer.

Paola: I initially got published because of my illustrations, not my writing.

I had some illustrations of cute little bugs in an art show, and a publisher (Simply Read Books) happened to be there, and asked me if I wanted to do a book based on these. Of course I said yes, but by no means was the deal sealed at that point. In this case, the publisher wanted me to create the entire book: both writing and illustrating. I sent the publisher draft after draft of story ideas, and finally after a year of sending these to him did he like one of them enough to actually give me a contract and publish it.

S: Tell us about some of your books - what is your latest book? When was it released? Give a short summary of the book. Tell us about some of your other books.

P: The 2 books I’ve had published so far are One Little Bug, and Saffy.

One Little Bug is a rhyming verse in which bugs stack on top of each other (counting as they go) and then topple over, and then each one goes back to his respective home. My favorite thing about this book is its silliness. This book was published under my legal name “Paola van Turennout” and won an Alcuin Society award.

Saffy is a board book about a stubborn little giraffe who is determined to reach a leaf all by herself, without her mommy’s help. My favorite thing about this book is Saffy’s independent attitude, and that she doesn’t give up. This one was published under my pen name “Paola Opal” and was written with the help of Kallie George.

S: What is a typical writing day like for you - especially since you work a regular full time job? How do you find the time to write?

P: Evenings and weekends are when I work on my books. When I’m at my day job I leave the books behind so I can be fully focussed on my job. Working on the books is a labour of love so getting home from my day job then working on a book concept doesn’t really feel like work to me. It’s fun.

S: What do you enjoy most about being a children’s book author?

P: The pleasure I get from doing the cute illustrations and knowing that they are out there for others to enjoy is what keeps me going.

S: What is the most difficult part of being a children’s book author?

P: One of the most difficult things is making everyone in the book “food chain” happy while still trying to come up with something that you (and the kids) will genuinely like. There are so many people to please before a child ever sees the book: the publisher, the sales person, the bookstore, the reviewer, then finally the parent, teacher, or librarian! At the end of the day, I just try to do what I like and hope the rest will sort itself out.

S: In today’s world, most of the marketing falls to the author instead of the publisher. What do you do to market your books?

P: So far I haven’t done all that much to market the books. I find that working full time to actually pay the bills, then creating books in my spare time doesn’t leave time for much else at the end of the day.

S: Do you have an agent? Why or why not?

P: No, I don’t have an agent. I got into book illustrating and writing rather randomly through having my illustrations seen at an art show, as mentioned above. I’ve never really thought about an agent. I’ve just focused on the work itself and building a good relationship with my current publisher.

S: Are you able to make school visits? If so, describe a typical school visit. If not, do you have a website with downloadable materials for teachers? What is the URL for your site? What will we find there?

P: I’ve never done a school visit. I don’t create my books with the explicit purpose of being a teacher’s resource: I create them for fun, and I figure that making the experience of reading fun has educational merits in itself by promoting the desire to read more.

I do, however, have a web site at http://www.everytales.com, where everyone, including teachers, can go to share and discover illustrated stories.

S: What are you working on right now?

P: I am working on new books to continue the Simply Small board book series that started with Saffy.

I am also working on promoting Everytales.com, a story-sharing portal that I have created out of a passion for illustration and a desire to build a platform for artists to share their stories with the world: Everytales asks nothing for your tale (you keep the rights) - only that you share it! In exchange, Everytales offers worldwide exposure to readers and publishers, a community for picture book creators, and a greener solution to publishing as a free, virtually no risk testing ground for new stories.

S: What is your best tip for aspiring children’s book authors?

P: Do what you love and make sure to take any opportunity to expose your work to the world. You never know who might see it or where it may lead!

Oct 22

Simon Says - More Tips for Book Signings!

SIMON SAYS

A weekly column from children’s author Simon Rose
Simon Rose

In order to ensure that your book signing is a pleasant experience, it’s very important to forge a good relationship with the store as well. Bookstores, especially the bigger chain operations, can be very busy as Christmas approaches. Consequently, if you have a book signing and for some reason your table isn’t ready when you arrive and the staff don’t even know you are having an event that day, don’t go crazy and storm out of the store.

Be respectful, accept that the store is busy, and remember that they are providing you with what amounts to free advertising space in a prime location at the most lucrative time of the year. Always arrive earlier than your scheduled time and then you can help set up your own table if necessary, either to assist the staff or just to get things moving more quickly. You have to make the effort in many different ways in order to make a book signing a success.

I have a good relationship with all stores I deal with on a regular basis. Usually they have a sign on the table advertising my signing several hours before my arrival and those with notice boards at the front entrance display a poster a few days in advance. However, the bookstore will not normally do a lot of advertising on your behalf and it’s up to you to promote the event.

Use any local online groups you may belong to, tell everyone you know. Also, make use of sites like Facebook, and, of course, advertise on your own blog and website.

You have no idea if anyone will look at the things you are posting online, but they won’t see them at all if you don’t even try. Personally, I do a minimum of advertising for my events, since I am mostly relying on the traffic in the store, which has often served me well in the past.

Powered by WebRing.